Such an achievement
is surely a foretaste of the eventual realization of the democratic
ideal, where art will be made not only for the people, but also by
the people, and the people will cooperate to make the common life
more beautiful, until the communal life itself shall become a living
work of art. Intensely concerned with
the Spirit of America, Percy MacKaye was highly acclaimed before the
age of film and electronic media as the inspired leader of the civic
drama, which gave new meaning to life in America’s larger cities
around the turn of the last century. His mythic masques unveiled this
spirit before the eyes of his audiences and involved their complete
participation, so that at times thousands filled his stages. Such
community-participation masques uplifted drama to new levels, and
became uniquely American cultural events. MacKaye’s impulse
gains new vital importance today as people again seek for a more meaningful
sense of community. |
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MacKaye tapped into the wisdom of the Native Americans as well as the folk culture of the early settlers. We see in the stories of Poog a rendering of the childhood magic of growing up in the Vermont countryside. American in spirit, but cosmopolitan in scope, Percy MacKaye travelled widely and involved himself in many forms of literary expression. His poetry sings of love, grief, and spiritual universality. His deep friendship with Albert Steffen brought Anthroposophy into his heart, and each grew profoundly as they saw into each other’s worlds.Perhaps Percy’s crowning work was the Tetralogy he wrote, in prologue to Shakespeare’s Hamlet. MacKaye’s own soul had something of the younger Hamlet in it, and in his grappling with the mysteries Shakespeare left us, MacKaye offered his own penetrating dramas. Such a bold effort sounds dubious, yet in the end, MacKaye’s The Mystery of Hamlet, King of Denmark, or What We Will, met with considerable critical acclaim. We hope you find in Percy MacKaye seeds for a renewal of American culture. |
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Percy and Marion MacKaye have set their feet firmly on the sacred path of Dante and Beatrice. (Thomas H. Dickinson) Songs and sonnets in dedication to Marion Morse MacKaye. These passionate poems, born of grief and a triumphant love that transcends death, are a beautiful affirmation of the human spirit. |
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Seven poems in dedication to Marion Morse MacKaye with German translations by Albert Steffen and Agathe Horst. These beautiful poems - English original and German trans-lation on opposite pages - show how the same content can be reborn, out of a poetic sense, in another language. |
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In May and July, 1916, Percy MacKaye’s civic drama Caliban was staged in Lewisohn Stadium in New York City and Harvard Stadium in Boston. Produced by a company of 5,000 citizens led by professional actors and enjoyed by audiences of 10,000 each night, this festive pageant brought these cities together in a creative celebration of their common humanity. “These communal masques touch the bottom
of that instinct of the Artist, latent in us all, and have offered thousands
a chance of participating in the joy of actually creating beauty. Such
an achievement is surely a foretaste of the eventual realization of
the democratic ideal, when art will be made not only for the people,
but also by the people, and all the people will cooperate to make the
common life more beautiful, until the communal life itself shall become
a living work of art.” |
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Mr. MacKaye has written an enchanting memory of the insights of childhood.... We smell again the arbutus bloom ... we hear the echoing voices of The Other People, and feel the wing beats of Pegasus himself. We feel again with Poog the mystical moment of revelation when truth is perceived at the heart of the universe. –St. Louis Post Dispatch |
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Here
we are introduced to an extraordinary folk character, a kind of guardian
of childhood consciousness, in the person of Zodiac Cobb, the Caboose
Man. Hints of Grimm’s fairy tales, Norse Mythology and mumble-de-peg
are magically interwoven. Foreword by Padraic Colum. |
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MacKaye seems to have summoned all his considerable powers for a work which is not only an extraordinary creative expansion of the lives of Shakespeare’s Hamlet, but a work of immediate meaning for our own tragic times in which strife and revenge seem to play two of the key notes. ~William Rose Benet In the four plays he has wrought a massive drama of his own which will hold any sensitive reader in suspense and make thirty years seem one vivid afternoon and night.... The tetralogy stands high above anything Mr. MacKaye has previously done... one is inclined to feel that its soaring conception, its rich texture of utterance, and its dramatic sweep and strength promise a durability that few works in this generation will achieve. The New York Times One does not in the least feel that MacKaye rashly trespasses upon Shakespearean territory.... He has grandeur of his own.... His high seriousness is supported by unmistakable powers to deal with generalized concepts and with the heroic emotions that bind together humanity in time and make the existence of classics a reality. Henry W. Wells |